<\/p>\n
Day 1<\/p>\n
The Broken Atlas<\/p>\n
The first seminar will introduce three concepts arising from research done at the close of the 19th century by cultural figures involved in developing new applications within quickly expanding fields, specifically anthropologist Franz Boas\u2019 \u201csecondary rationalization\u201d, art historian Aby Warburg\u2019s \u201cpathosformel,\u201d and sociologist Gabriel Tarde\u2019s \u201cquantification\u201d. By thinking through these concepts together, we will consider their shared traits as partial, even symptomatic methods, and how their insights question presumed trajectories of modernity, and might yet be relevant.<\/strong><\/p>\n <\/p>\n Day 2<\/p>\n Objects of Prohibition<\/p>\n The second seminar will look at postwar artworks that explicitly borrow from ethnographic, museological, and historiographic economies in order to propose new parameters of appreciation, prohibition, and refusal. Writer Danilo Ki\u0161\u2019s conceptualizing of an ever-condensing, ever elusive encyclopedia entry will be considered in dialogue with specific contemporary practices, as will Sergei Tretiakov\u2019s proposal in\u00a0The Biography of the Object\u00a0<\/em>(1929), for a composite understanding of object and persona.<\/p>\n <\/p>\n Fionn Meade is a writer and curator based in New York. He has most recently been Curator at\u00a0SculptureCenter<\/a>, NY, where exhibitions include\u00a0Scene, Hold, Ballast<\/a><\/em>, with David Maljkovic and Lucy Skaer, and such group exhibitions as\u00a0Time Again<\/em><\/a>,\u00a0Knight\u2019s Move<\/a><\/em>, a survey of new sculpture in New York, and\u00a0Leopards in the Temple<\/em><\/a>. Additional recent curatorial projects also include\u00a0Nachleben<\/a><\/em>, co-organized with Lucy Raven at Goethe Institut, NY, which engaged Aby Warburg’s thinking and\u00a0After Images<\/a><\/em>\u00a0at the Jewish Museum of Belgium. He has previously been a curator at the\u00a0Henry Art Gallery<\/a>\u00a0and worked with Tom Eccles on\u00a0Rachel Harrison: Consider the Lobster<\/a><\/em>, and Maria Lind on\u00a0The Greenroom<\/a><\/em>\u00a0at the Hessel Museum of Art and CCS Bard Galleries. His writing appears in Artforum, Bomb, Bidoun, The Fillip Review, Mousse, Spike Quarterly, and Parkett, among other publications, and he was the recipient of an Arts Writer Grant from Creative Capital and the Andy Warhol Foundation. Recent catalog writing includes essays on\u00a0Elad Lassry<\/a>\u00a0for the Kunsthalle Z\u00fcrich (JRP\/Ringier), and\u00a0Mark Morrisroe<\/a>\u00a0for the Fotomuseum Winterthur (JRP\/Ringier). He is currently a faculty member at the\u00a0Center for Curatorial Studies, Bard College<\/a>, and in the\u00a0MFA program for Visual Arts<\/a>, Columbia University.<\/p>\n <\/p>\n The event will take place in Mediatheque (Meno avilys, Mokytoju namai, Vilniaus g.\u00a039\/6, 2nd floor).<\/p>\n The event is open to public. To join please register writing to info@rupert.lt until the 15th of October, 2012.<\/p>\n <\/p>\n The event is held via Instant Citizen and supported by Ministry of Culture of the Republic of Lithuania.<\/strong><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Day 1 The Broken Atlas The first seminar will introduce three concepts arising from research done at the close of the 19th century by cultural figures involved in developing new applications within quickly… Daugiau<\/a><\/p>\n","protected":false},"author":1,"featured_media":11971,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[87,157],"tags":[],"class_list":["post-11968","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-renginiai","category-ivyke-renginiai"],"acf":[],"_links":{"self":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/11968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/comments?post=11968"}],"version-history":[{"count":0,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/11968\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media\/11971"}],"wp:attachment":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media?parent=11968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/categories?post=11968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/tags?post=11968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}