{"id":11995,"date":"2012-12-10T03:21:05","date_gmt":"2012-12-10T01:21:05","guid":{"rendered":"http:\/\/rupert.lt\/rupert-invites-natasa-petresin-bachelez\/"},"modified":"2012-12-10T03:21:05","modified_gmt":"2012-12-10T01:21:05","slug":"rupert-invites-natasa-petresin-bachelez","status":"publish","type":"post","link":"https:\/\/rupert.lt\/lt\/rupert-invites-natasa-petresin-bachelez\/","title":{"rendered":"Rupert invites: Nata\u0161a Petre\u0161in-Bachelez"},"content":{"rendered":"<p>2 January at 6pm: in the lecture Nata\u0161a Petre\u0161in-Bachelez will talk about the notions of situated artistic research and reflexive residency programmes through her experience of co-directing the space for artistic research Les Laboratoires d&#8217;Aubervilliers in north of Paris.<\/p>\n<p>3 January at 2pm : insight into a curatorial research in progress &#8211; a talk about preparation of the upcoming U3 &#8211; triennial of contemporary art in Slovenia<\/p>\n<p>&nbsp;<\/p>\n<p>Nata\u0161a Petre\u0161in-Bachelez is an art critic and independent curator based in Paris, France. From 2010 to 2012 she was appointed co-director of the Laboratoires d\u2019Aubervilliers. Since 2006 she has co-organized the seminar\u00a0<em><\/em><em>Something You Should Know<\/em><em>,<\/em>\u00a0EHESS, Paris, France, together with Patricia Falguieres, Elisabeth Lebovici and Hans Ulrich Obrist. In 2010 she was associate curator of the exhibition\u00a0<em>The Promises of the Past,\u00a0<\/em>at the Centre Pompidou, Paris, and guest curator of the Paris Photo art fair. Curatorial projects include\u00a0<em>Yona Friedman. Around ville spatial<\/em>, Mala galerija, Ljubljana (2010);\u00a0<em>Conspire, festival transme- diale.08<\/em>, Haus der Kulturen der Welt, Berlin, Germany (2008);\u00a0<em>Distorted Fabric<\/em>, De Appel, Amsterdam, The Netherlands (2007);\u00a0<em>Participation: Nuisance or Necessity?<\/em>, lASPIS, Stockholm, Sweden (2005);\u00a0<em>Our House is a House that Moves<\/em>, Galerija \u0160kuc, Ljubljana, Living Art Museum, Reykjavik, Iceland (20036).\u00a0She was co-curator of the project\u00a0<em>Soci\u00e9t\u00e9 Anonyme<\/em>, Le Plateau and Kadist Art Foundation, Paris (20078). She has contributed to magazines including e-flux journal, Springerin, Parkett, Bidoun, and Sarai Reader, and is a member of the editorial board of ARTMargins. Since 2011 Petresin-Bachelez has been chief editor of the\u00a0<em>Manifesta Journal.\u00a0<\/em>In 2013 she curating\u00a0<em>U3 &#8211; Triennial of contemporary art in Slovenia<\/em>, which will take place at the Museum of Contemporary Art in Ljubljana.<br \/>\n<a href=\"http:\/\/www.leslaboratoires.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.leslaboratoires.org<\/a><br \/>\n<a href=\"http:\/\/www.manifestajournal.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.manifestajournal.<wbr \/>org<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Both events will take place in Mediatheque (Meno avilys, Mokytoju namai, Vilniaus g.\u00a039\/6, 2nd floor).<\/p>\n<p>Events are open to public.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2 January at 6pm: in the lecture Nata\u0161a Petre\u0161in-Bachelez will talk about the notions of situated artistic research and reflexive residency programmes through her experience of co-directing the space for artistic research Les Laboratoires&#8230; <a class=\"read-more\" href=\"https:\/\/rupert.lt\/lt\/rupert-invites-natasa-petresin-bachelez\/\">Daugiau<\/a><\/p>\n","protected":false},"author":1,"featured_media":11996,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[87,157],"tags":[],"class_list":["post-11995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-renginiai","category-ivyke-renginiai"],"acf":[],"_links":{"self":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/11995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/comments?post=11995"}],"version-history":[{"count":0,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/11995\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media\/11996"}],"wp:attachment":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media?parent=11995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/categories?post=11995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/tags?post=11995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}