{"id":12771,"date":"2017-02-20T14:31:40","date_gmt":"2017-02-20T12:31:40","guid":{"rendered":"http:\/\/rupert.lt\/travis-jeppsen\/"},"modified":"2017-02-20T14:31:40","modified_gmt":"2017-02-20T12:31:40","slug":"travis-jeppsen","status":"publish","type":"post","link":"https:\/\/rupert.lt\/lt\/travis-jeppsen\/","title":{"rendered":"Travis Jeppsen"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Travis Jeppsen yra amerikietis novelistas ir poetas, \u0161iuo metu gyvenantis Berlyne. Daugiau nei de\u0161imtmet\u012f Travis Jeppsen buvo laikomas vienu ikonoklasti\u0161kiausi\u0173 literat\u016bros kritik\u0173. Jis taip pat \u017einomas kaip \u012f objekt\u0105 orientuoto ra\u0161ymo stiliaus i\u0161rad\u0117jas. 2014-ais metais jis atskleid\u0117 \u0161\u012f nauj\u0105 \u012fk\u016bnyt\u0105 ra\u0161ymo, kaip meno praktikos, model\u012f <em>Whitney<\/em> bienal\u0117je savo audioinstaliacijoje \u201c<em>16 sculptures<\/em>\u201d, kurioje jis atk\u016br\u0117 ikoni\u0161kas ir ma\u017eiau \u017einomas \u012f meno istorij\u0105 patekusias skulpt\u016bras, kuri\u0173 mediumas buvo kalba; jis u\u017eter\u0161\u0117 k\u016brinius autoriniu \u012fsiki\u0161imu, leisdamas steb\u0117tojui dalyvauti prasm\u0117s k\u016brimo procese.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Visai neseniai Jeppsen i\u0161pl\u0117t\u0117 savo veikl\u0105 \u012f vizual\u0173 lauk\u0105 per savo \u201claukinio ra\u0161ymo\u201d model\u012f, kur\u012f jis apibr\u0117\u017e\u0117 kaip \u201cma\u017eiau ribot\u0105 \u012fsir\u0117\u017eim\u0105 \u012f ateities ne\u017einom\u0105j\u012f\u201d darb\u0173 serijose, i\u0161sid\u0117s\u010diusiose ant pavojingos prarajos tarp ra\u0161ymo ir tapymo. Naudodamasis tokiomis kaligrafin\u0117mis priemon\u0117mis kaip kaligrafin\u0117s plunksnos, arklio plauk\u0173 teptukai ir kinieti\u0161kas tu\u0161as, Jeppsen dirba, kad per\u017eengt\u0173, kaip pats vadina, tradicines signifikanto ribas, svyruodamas tarp teksto kaip abstrakcijos, kaip kaligrafijos ir kaip vaizdo fizini\u0173 aprai\u0161k\u0173. Autoriaus \u201claukinis ra\u0161ymas\u201d gali b\u016bti vertinamas kartu su Irmos Blank \u201cradikaliu ra\u0161ymu\u201d, Robert Grenier poemomis, Park Seobo<\/span><i><span style=\"font-weight: 400;\"> \u00c9criture <\/span><\/i><span style=\"font-weight: 400;\">tapybos darbais, Cy Twombly keverzoni\u0173 ikonografija per klasikin\u0117s Romos grafi\u010dius ir Wang Dongling eksperimentine kaligrafija &#8211; nors jie visi ai\u0161kiai \u0161neka savo tebevykstan\u010di\u0173 nepaliaujam\u0173 i\u0161radim\u0173 \u00a0kalba.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Jeppsen\u2019o pirmoji novel\u0117, <\/span><i><span style=\"font-weight: 400;\">Victims<\/span><\/i><span style=\"font-weight: 400;\">, buvo pasirinkta Dennis Cooper, kad debiutuot\u0173 \u201c<em>Little House on the Bowery<\/em>\u201d \u201c<em>Akaschic books<\/em>\u201d serijoje 2003-iaisiais metais. 2005-aisiais \u201c<em>Eksmo<\/em>\u201di\u0161leido rusi\u0161k\u0105 novel\u0117s vertim\u0105. Jeppsen\u2019o antroji novel\u0117, <\/span><i><span style=\"font-weight: 400;\">Wolf at the Door <\/span><\/i><span style=\"font-weight: 400;\">(<em>Twisted Spoon Press<\/em>), buvo baigta rezidencijos Slov\u0117nijos ra\u0161ytoj\u0173 s\u0105jungoje metu, i\u0161leista 2007-ais metais. 2006-aisiais \u201c<em>BLATT Books<\/em>\u201di\u0161leido poezijos rinkin\u012f pavadinimu <\/span><i><span style=\"font-weight: 400;\">Poems I Wrote While Watching TV<\/span><\/i><span style=\"font-weight: 400;\">; antrasis rinkinys, <\/span><i><span style=\"font-weight: 400;\">Dicklung &amp; Others<\/span><\/i><span style=\"font-weight: 400;\">, i\u0161leista 2009-\u0173j\u0173 lapkrit\u012f. Tre\u010di\u0105j\u0105 novel\u0119, <\/span><i><span style=\"font-weight: 400;\">The Suiciders<\/span><\/i><span style=\"font-weight: 400;\">, i\u0161leido \u201c<em>Semiotext(e)<\/em>\u201d 2013-aisiais. V\u0117liau po to jis atliko visos novel\u0117s\u201cmaratoninius skaitymus\u201d, kurie truko a\u0161tuonias valandas be sustojimo \u201c<em>ICA<\/em>\u201d Londone ir <em>Whitney Museum of American Art in New York<\/em>. Jeppsen\u2019o kritin\u0117 literat\u016bra apie men\u0105, kin\u0105 ir literat\u016br\u0105 buvo publikuoti <\/span><i><span style=\"font-weight: 400;\">Artforum<\/span><\/i><span style=\"font-weight: 400;\">,<\/span><i><span style=\"font-weight: 400;\"> Arti in America<\/span><\/i><span style=\"font-weight: 400;\">,<\/span><i><span style=\"font-weight: 400;\"> Texte zur Kunst<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Flash Art<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">\u00a0New York Press<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Bookforum<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">The Stranger<\/span><\/i><span style=\"font-weight: 400;\"> ir <\/span><i><span style=\"font-weight: 400;\">Zoo Magazine<\/span><\/i><span style=\"font-weight: 400;\">. 2013-ais gavo premij\u0105 i\u0161 \u201c<em>Arts Writers Grant from Creative Capital\/the Warhol Foundation<\/em>\u201d.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Reziduodamas Ruperte menininkas su naujais k\u016briniais prisistat\u0117 \u201cWord\u201d parodoje, kuri vyko 2016 m. spalio 20 &#8211; lapkri\u010dio 3 dienomis meno inkubatoriaus \u201cPakrant\u0117\u201d galerijoje.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Travis Jeppsen yra amerikietis novelistas ir poetas, \u0161iuo metu gyvenantis Berlyne. Daugiau nei de\u0161imtmet\u012f Travis Jeppsen buvo laikomas vienu ikonoklasti\u0161kiausi\u0173 literat\u016bros kritik\u0173. Jis taip pat \u017einomas kaip \u012f objekt\u0105 orientuoto ra\u0161ymo stiliaus i\u0161rad\u0117jas. 2014-ais&#8230; <a class=\"read-more\" href=\"https:\/\/rupert.lt\/lt\/travis-jeppsen\/\">Daugiau<\/a><\/p>\n","protected":false},"author":15,"featured_media":12772,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[169],"tags":[],"class_list":["post-12771","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buvusieji-rezidentai"],"acf":[],"_links":{"self":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/12771","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/comments?post=12771"}],"version-history":[{"count":0,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/12771\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media\/12772"}],"wp:attachment":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media?parent=12771"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/categories?post=12771"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/tags?post=12771"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}