{"id":12867,"date":"2017-04-11T11:41:42","date_gmt":"2017-04-11T08:41:42","guid":{"rendered":"http:\/\/rupert.lt\/merike-estna\/"},"modified":"2017-04-11T11:41:42","modified_gmt":"2017-04-11T08:41:42","slug":"merike-estna","status":"publish","type":"post","link":"https:\/\/rupert.lt\/lt\/merike-estna\/","title":{"rendered":"Merike Estna"},"content":{"rendered":"

Merike Estna gim\u0117 Estijoje 1980 m., gyvena ir dirba Taline. Ji \u012fgijo tapybos bakalauro laipsn\u012f Estijos meno akademijoje ir meno magistro laipsn\u012f\u00a0Goldsmith\u2019s koled\u017ee, Londono universitete 2009 m. Merike Estna darbuose labai svarbus tapybinis procesas. Anot meninink\u0117s, tai veikiau yra b\u016bdas traktuoti meno k\u016brin\u012f kaip neatsiejam\u0105 gyvenimo dal\u012f, o ne kaip darb\u0105 apie gyvenim\u0105. \u012e proceso pagrindu sukurtus darbus Estna \u012fterpia ra\u0161tus ir spalv\u0173 kombinacijas i\u0161 amat\u0173 ir taikomojo meno k\u016brini\u0173, kurie profesionaliajame mene tradici\u0161kai nebuvo priimtini kaip tapybin\u0117s kalbos b\u016bdas. Taip pat jos darbai meta i\u0161\u0161\u016bk\u012f vyr\u0173 dominuojamai tapybos teritorijai ir kvestionuoja grie\u017et\u0105 vizualin\u012f skirstym\u0105 tarp tapybos ir amat\u0173 diskurso. I\u0161 prad\u017ei\u0173 padengdama drobes taikom\u0173j\u0173 men\u0173 ra\u0161tais, Estna v\u0117liau per\u0117jo prie drabu\u017ei\u0173, daikt\u0173 ir erdvi\u0173 dekoravimo, palaipsniui i\u0161pl\u0117sdama savo tyrimo lauk\u0105 \u012f spalv\u0105 ir tapymo veiksm\u0105, patyrimo galimybes ir \u017ei\u016br\u0117jim\u0105 \u012f daiktus.<\/span><\/p>\n

Atrinkti projektai: <\/span>\u201cWINTER IS COMMING (Homage to the Future)\u201d <\/span><\/i>kuravo Maria Arusoo, Georg Kargl Fine Arts (Viena, AT 2016 m.); <\/span>\u201cInvisible Dreams And Streams\u201d<\/span><\/i> kuravo Maija Rudovska, CAC (Vilnius, LT 2016 m.); <\/span>\u201cGhostbiker\u201d, <\/span><\/i>solo, Wot No, Londono knygos meno centras (Londonas, UK 2016 m.); \u201c<\/span>Nomadic Images\u201d<\/span><\/i> kuravo Linas Liandzbergis, XVI Vilniaus tapybos trianl\u0117 (Vilnius, LT 2016 m.); <\/span>\u201cMemorial\u201d<\/span><\/i> solo, Estijos ambasada (Londonas, UK 2016 – 2017 m.); <\/span>\u201cThe Seed Can Be Initialized Randomly<\/span><\/i>\u201d, duetas su Ana Cardoso, kuravo Murias Centeno (Porto, PT 2016 m.); <\/span>\u201c(Not) Every Thread Ties Down \/ Your Split Ends Are Showing<\/span><\/i>\u201d, kuravo Leo Cohen ir Lucy Rollins, DKUK (Londonas, UK 2016 m.); <\/span>\u201cFreundschafsspiel\u201d, <\/span><\/i>kuravo Didem Yazici, Museum fuer Neue Kunst Freiburg (Freiburgas, GE 2016 m.); <\/span>\u201cDOMESTICMINDCRAFT\u201d<\/span><\/i> solo, kuravo Karen Huber (Meksikas, MX 2016 m.); rengini\u0173 serija <\/span>\u201cEl Cuarto de los Ojos Sucios\u201d, <\/span><\/i>Biquini Wax (Meksikas, MX 2016 m.); <\/span>\u201cCorporate Jungle\u201d <\/span><\/i>solo, Temnikova & Kasala galerija (Talinas, EE 2015 m.); <\/span>\u201cGenialmythcraft\u201d<\/span><\/i>, solo, Palermo galerija (\u0160tutgartas, GE 2015 m.), <\/span>\u201cBetter Become Blowing Backbeat Blanket\u201d<\/span><\/i>, Matts galerija (Londonas, UK 2015 m.); <\/span>\u201cBlue Lagoon\u201d<\/span><\/i> solo, KUMU meno muziejus (Talinas, EE 2014 m.); <\/span>\u201cSo Soft\/+ Pure<\/span><\/i>, solo, SmallProjects galerija (Tomso, NO 2014 m.); <\/span>\u201cV\/P: Video and Painting in a relationship\u201d<\/span><\/i> Solyanka valstybin\u0117 galerija (Maskva, RU 2014 m.)\u00a0<\/span>Meninink\u0117 gavo <\/span>Konrad Mae <\/span><\/i>apdovanojim\u0105 2014 m., Estijos meno akademijoje d\u0117st\u0117 kaip vizituojanti profesor\u0117 nuo 2013 m. Jos darbus \u012fsigij\u0119 Kumu meno muziejus (EE), Tartu meno muziejus (EE), Loviisa miesto kolekcija (FI).<\/span><\/p>\n

\"\"\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Merike Estna gim\u0117 Estijoje 1980 m., gyvena ir dirba Taline. Ji \u012fgijo tapybos bakalauro laipsn\u012f Estijos meno akademijoje ir meno magistro laipsn\u012f\u00a0Goldsmith\u2019s koled\u017ee, Londono universitete 2009 m. Merike Estna darbuose labai svarbus tapybinis procesas…. Daugiau<\/a><\/p>\n","protected":false},"author":15,"featured_media":12868,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[169],"tags":[],"class_list":["post-12867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buvusieji-rezidentai"],"acf":[],"_links":{"self":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/12867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/comments?post=12867"}],"version-history":[{"count":0,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/12867\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media\/12868"}],"wp:attachment":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media?parent=12867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/categories?post=12867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/tags?post=12867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}