{"id":12913,"date":"2017-04-11T12:06:00","date_gmt":"2017-04-11T09:06:00","guid":{"rendered":"http:\/\/rupert.lt\/carl-palm\/"},"modified":"2017-04-11T12:06:00","modified_gmt":"2017-04-11T09:06:00","slug":"carl-palm","status":"publish","type":"post","link":"https:\/\/rupert.lt\/lt\/carl-palm\/","title":{"rendered":"Carl Palm"},"content":{"rendered":"<p>Carl Palm (g. 1980 m., SE)<em>\u00a0<\/em>gyvena ir dirba Londone bei Stokholme. Palm darbai jungia \u012fvairias medijas, tokias kaip pie\u0161imas, skulpt\u016bra, grafika, instaliacija, i\u0161siple\u010diantys iki kuravimo. Palm domisi meno gamybos ir pristatymo palaipsniniu svarstymu ir per daugiausiai skulpt\u016brinius gestus konstruoja savo darbus kaip i\u0161ry\u0161kinan\u010dius ta\u0161kus.\u00a0Pain\u016bs ir unikal\u016bs patys savaime Palm darbai da\u017enai nurodo \u012f ka\u017ek\u0105 kit\u0105, generuoja turin\u012f jo nesisavindami, pripa\u017eindami kontekst\u0105 ir kit\u0173 k\u016brini\u0173 egzistavim\u0105. Palm mok\u0117si Karali\u0161kajame meno institute, Stokholme, ten \u012fgijo meno magistro laipsn\u012f. Menininkas yra\u00a0<em>Good Times &amp; Nocturnal News<\/em> \u012fk\u016br\u0117jas, publikuojantis \u012fvairius ra\u0161ytojus ir menininkus i\u0161 viso pasaulio. Pastarieji leidimai buvo pristatyti\u00a0<em>Komplot,\u00a0<\/em>Briuselyje (BE), \u0160iuolaikinio meno centre, Vilniuje (LT),\u00a0<em>Center,<\/em> Berlyne (DE),\u00a0<em>Untitled,\u00a0<\/em>Majamyje (US),\u00a0<em>Friends with Books<\/em>, Berlyne (DE), 56-ojoje Venecijos bienal\u0117je (IT) ir Kopenhagos meno festivalyje\u00a0<em>Overgaden\u00a0<\/em>(DK). Jo pastarosios ir ateinan\u010dios parodos:\u00a0<em>Space\u00a0 Collection,<\/em> Liege (BE)<em> Diesel Project Space,<\/em> Liege (BE)<em> Parallel, <\/em>Meksike (MX)<em> Nosbaum Reding<\/em> (LU)<em>, 427 <\/em>Rygoje (LV)<em>, X Bienal de Nicaragua <\/em>(NI)<em>, XII Baltic Triennial <\/em>\u0160iuolaikinio meno centre (LT),<em> Yautepec Gallery <\/em>(MX),<em> S1, <\/em>Portlande (US)<em>, Cultural Foundation of Tinos<\/em> (GR)<em>, GL Strand<\/em> (DK)<em>, Overgaden <\/em>(DK)<em>, Parallel Oaxaca <\/em>(MX),<em> Association Le Commissariat <\/em>(FR),<em> Kunsthalle Athena <\/em>(GR),<em> MACBA <\/em>(ES),<em> TOVES<\/em> (DE),<em> Komplot <\/em>Briuselyje (BE),<em> Kunsthalle Wien <\/em>(AU)<em>, <\/em>CAC (LT)<em>, Cente<\/em>r (DE<em>), ARTIUM <\/em>(ES),<em> Komplot <\/em>(BE)<em> Index &#8211; The Swedish Contemporary Art Foundation<\/em> (SE) irr<em>\u00a0IASPIS <\/em>12-oje Istanbulo Bienal\u0117je (TR).<\/p>\n<p><em>Good Times &amp; Nocturnal News\u00a0<\/em>(\u012ek\u016br\u0117jas Carl Palm, 2012 m.) yra nomadi\u0161kas laikra\u0161tis, prasid\u0117j\u0119s nuo tradicin\u0117s menininko knygos, pristato meninink\u0173, ra\u0161ytoj\u0173 ir kuratori\u0173 tekstus s\u0105moningai laisva forma. Kol kas\u00a0buvo i\u0161leistos trys leidini\u0173 serijos, kurios \u012frod\u0117 esan\u010dios patrauklios nomadi\u0161kos platformos ateities svarstymams ir kolaboracijoms. Antrasis\u00a0<em>Good Times &amp; Nocturnal News\u00a0<\/em>leidimas buvo sukurtas Ruperte, i\u0161leists ir pristatytas \u0160iuolaikinio meno centre, pavadinimu\u00a0<em>Lazer Cut Fish and Chips.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carl Palm (g. 1980 m., SE)\u00a0gyvena ir dirba Londone bei Stokholme. Palm darbai jungia \u012fvairias medijas, tokias kaip pie\u0161imas, skulpt\u016bra, grafika, instaliacija, i\u0161siple\u010diantys iki kuravimo. Palm domisi meno gamybos ir pristatymo palaipsniniu svarstymu ir&#8230; <a class=\"read-more\" href=\"https:\/\/rupert.lt\/lt\/carl-palm\/\">Daugiau<\/a><\/p>\n","protected":false},"author":15,"featured_media":12914,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[169],"tags":[],"class_list":["post-12913","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buvusieji-rezidentai"],"acf":[],"_links":{"self":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/12913","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/comments?post=12913"}],"version-history":[{"count":0,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/12913\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media\/12914"}],"wp:attachment":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media?parent=12913"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/categories?post=12913"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/tags?post=12913"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}