{"id":17576,"date":"2022-03-08T17:09:14","date_gmt":"2022-03-08T15:09:14","guid":{"rendered":"https:\/\/rupert.lt\/mika-hayashi-ebbesen\/"},"modified":"2022-05-15T16:04:39","modified_gmt":"2022-05-15T13:04:39","slug":"mika-hayashi-ebbesen","status":"publish","type":"post","link":"https:\/\/rupert.lt\/lt\/mika-hayashi-ebbesen\/","title":{"rendered":"Mika Hayashi Ebbesen"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Mika Hayashi Ebbesen (Japonija \/ Norvegija) yra redaktor\u0117\/-ius, \u0161iuo metu dirbanti\/s nepriklausomos meno spaudos sektoriuje, kurianti\/s ir pasirodanti\/s pseudonimu Mikatsiu. Ankstesn\u0117 tarpininkavimo patirtis parodose \u201edocumenta 14\u201c At\u0117nuose (2017) ir 10-ojoje Berlyno Bienal\u0117je (2018) paskatino dom\u0117tis pasaulio istorija ir dekolonijin\u0117mis strategijomis; \u0161is susidom\u0117jimas savo ruo\u017etu paveik\u0117 ir j\u0173 po\u017ei\u016br\u012f \u012f redagavim\u0105 bei kalb\u0173 tarpusavio santykius. Naujausi bendraautoriniai Mika k\u016briniai:<\/span><span style=\"font-weight: 400;\"> \u201eCondition Report: Art History in Africa\u201c (\u201eRAW Material Company\u201c, 2020 m.) ir \u201eAn Elaborate Gesture of Pastness: Three Films by Dani Gal\u201c (\u201eMotto Books\u201c, 2021 m.).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Rezidencijos metu Mika ra\u0161ys tekst\u0105, lydint\u012f neapibr\u0117\u017eiam\u0173 gars\u0173, gaut\u0173 i\u0161 \u017eemie\u010di\u0173 sukurt\u0173 skambi\u0173 artefakt\u0173, indeks\u0105. Aura \/ oralin\u0117je kompozicijoje taip pat bus kvie\u010diama atkreipti d\u0117mes\u012f \u012f i\u0161vietintas liekanas (angl. <\/span><i><span style=\"font-weight: 400;\">displaced residue<\/span><\/i><span style=\"font-weight: 400;\">)<\/span><span style=\"font-weight: 400;\">, \u012fskaitant \u201eGolden Record\u201c, i\u0161si\u0173st\u0105 1977 m. \u201eVoyager\u201c erdv\u0117laiviu. Projekto pavadinimas yra \u201eTraktatas apie aur\u0105\u201c (angl. <\/span><i><span style=\"font-weight: 400;\">Treatise for an aura<\/span><\/i><span style=\"font-weight: 400;\">)<\/span><span style=\"font-weight: 400;\">, o tyrimo tikslas \u2013 i\u0161tirti biomuzikologin\u0119 perspektyv\u0105 apie \u012fvairius \u017emogaus i\u0161skirtinumo niuansus, strukt\u016brizuojan\u010dius planet\u0173 pad\u0117t\u012f.<\/span><\/p>\n<p>Vaizdas: Mika <span style=\"font-family: times new roman, serif;\">Hayashi Ebbesen<\/span>\u00a0by\u00a0<span style=\"font-weight: 400;\">Elio J Carranza<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mika Hayashi Ebbesen (Japonija \/ Norvegija) yra redaktor\u0117\/-ius, \u0161iuo metu dirbanti\/s nepriklausomos meno spaudos sektoriuje, kurianti\/s ir pasirodanti\/s pseudonimu Mikatsiu. Ankstesn\u0117 tarpininkavimo patirtis parodose \u201edocumenta 14\u201c At\u0117nuose (2017) ir 10-ojoje Berlyno Bienal\u0117je (2018) paskatino&#8230; <a class=\"read-more\" href=\"https:\/\/rupert.lt\/lt\/mika-hayashi-ebbesen\/\">Daugiau<\/a><\/p>\n","protected":false},"author":15,"featured_media":17574,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[99,169],"tags":[],"class_list":["post-17576","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezidentai","category-buvusieji-rezidentai"],"acf":[],"_links":{"self":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/17576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/comments?post=17576"}],"version-history":[{"count":3,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/17576\/revisions"}],"predecessor-version":[{"id":17580,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/17576\/revisions\/17580"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media\/17574"}],"wp:attachment":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media?parent=17576"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/categories?post=17576"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/tags?post=17576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}