{"id":17683,"date":"2022-03-30T15:54:47","date_gmt":"2022-03-30T12:54:47","guid":{"rendered":"https:\/\/rupert.lt\/joey-holder\/"},"modified":"2023-03-07T15:36:05","modified_gmt":"2023-03-07T13:36:05","slug":"joey-holder","status":"publish","type":"post","link":"https:\/\/rupert.lt\/lt\/joey-holder\/","title":{"rendered":"Joey Holder"},"content":{"rendered":"<p><a href=\"https:\/\/www.joeyholder.com\/\">Joey Holder<\/a>\u00a0(Jungtin\u0117 Karalyst\u0117) yra vizualiojo meno k\u016br\u0117ja, prodiuser\u0117 ir edukator\u0117, atstovaujama Londono galerijos \u201eSeventeen\u201c. Joey taip pat yra interneto skaitmenines praktikas skatinan\u010dios platformos \u201eSPUR\u201c bei meno projekt\u0173 erdv\u0117s \u201eChaos Magic\u201c Notingeme direktor\u0117.<\/p>\n<p>Meninink\u0117 yra surengusi parodas JK ir tarptautin\u0117je scenoje, \u012fskaitant Harvardo gamtos istorijos muziej\u0173, At\u0117n\u0173 bienal\u0119, Londono dizaino muziej\u0173, Maskvos bienal\u0119, \u201eTransmediale\u201c ir Venecijos bienal\u0119. Jos k\u016bryba paremta nuolatiniu dialogu ir bendradarbiavimu su \u012fvairi\u0173 sri\u010di\u0173 tyr\u0117jais ir profesionalais. Meninink\u0117 kuria fiktyvius pasaulius ir dirbtin\u0119 aplink\u0105, tiesiogiai atliepian\u010di\u0105 realius \u0161i\u0173 dien\u0173 \u012fvykius. Kiekvienas k\u016brinys yra tarsi scena su kinematografiniais, naratyviniais, architekt\u016briniais, vizualiniais ir garsiniais elementais, unikaliai sukurtais atsispiriant \u012f projekto koncepcin\u012f pagrind\u0105. Bendradarbiaudama su kompiuterin\u0117s genomikos specialistais, j\u016br\u0173 biologais, elgsenos psichologais ir tiriamosios \u017eurnalistikos atstovais, k\u016br\u0117ja nagrin\u0117ja tokias temas kaip ateities \u017eem\u0117s \u016bkis, sintetin\u0117 biologija ir giliavanden\u0117s j\u016br\u0173 ekosistemos.<\/p>\n<p>Personalin\u0117s parodos: \u201eAbyssal Seeker\u201c galerijoje \u201eSeventeen\u201c Londone (2021) ir \u201eFUTURA\u201c Prahoje, \u201eSemelparous\u201c galerijoje \u201eOffspace\u201c Londone (2020), \u201eAdcredo \u2013 The Deep Belief Network\u201c \u201eQUAD\u201c centre Derbyje, \u201eMatt\u2019s Gallery\u201c Londone ir \u201eBloc Projects\u201c \u0160efilde (2018). Grupin\u0117s parodos: \u201eNew Mystics\u201c internete kuruojant Alice Bucknell, \u201eMemeplex\u201c galerijoje \u201eSeventeen\u201c Londone, \u201er\u012bvus\u201c XXIII-iojoje Sidn\u0117jaus bienal\u0117je Australijoje, \u201eAmong the Machines\u201c\u00a0galerijoje\u00a0\u201eZabludowicz Collection\u201c Londone, \u201eBritish Art Show 9\u201c gastrol\u0117s po JK, \u201eIskra Delta\u201c XXXIV-ojoje Liublianos bienal\u0117je Slov\u0117nijoje, \u201eANTI\u201c VI-ojoje At\u0117n\u0173 bienal\u0117je (2018), \u201eJoy Before the Object\u201c galerijoje \u201eSeventeen\u201c Londone (2019), \u201eCursed Images\u201c\u00a0galerijoje\u00a0\u201eGalerie Lisa Kandlhofer\u201c Vienoje (2019) ir \u201eFuture Love\u201c HeK centre Bazelyje (2018).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joey Holder\u00a0(Jungtin\u0117 Karalyst\u0117) yra vizualiojo meno k\u016br\u0117ja, prodiuser\u0117 ir edukator\u0117, atstovaujama Londono galerijos \u201eSeventeen\u201c. Joey taip pat yra interneto skaitmenines praktikas skatinan\u010dios platformos \u201eSPUR\u201c bei meno projekt\u0173 erdv\u0117s \u201eChaos Magic\u201c Notingeme direktor\u0117. Meninink\u0117 yra&#8230; <a class=\"read-more\" href=\"https:\/\/rupert.lt\/lt\/joey-holder\/\">Daugiau<\/a><\/p>\n","protected":false},"author":15,"featured_media":17681,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[91,86],"tags":[],"class_list":["post-17683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-be-kategorijos","category-uncategorized-lt"],"acf":[],"_links":{"self":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/17683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/comments?post=17683"}],"version-history":[{"count":3,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/17683\/revisions"}],"predecessor-version":[{"id":17814,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/17683\/revisions\/17814"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media\/17681"}],"wp:attachment":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media?parent=17683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/categories?post=17683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/tags?post=17683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}