{"id":19499,"date":"2022-07-11T11:38:23","date_gmt":"2022-07-11T08:38:23","guid":{"rendered":"https:\/\/rupert.lt\/?p=19499"},"modified":"2022-09-30T11:49:24","modified_gmt":"2022-09-30T08:49:24","slug":"lynton-talbot","status":"publish","type":"post","link":"https:\/\/rupert.lt\/lt\/lynton-talbot\/","title":{"rendered":"Lynton Talbot"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Lynton Talbot (JK) yra \u201eParrhesiades\u201c \u2013 daugiaplatform\u0117s projektin\u0117s erdv\u0117s menininkams, dirbantiems su ra\u0161ytine, sakytine ar kitaip i\u0161reik\u0161ta kalba \u2013 \u012fk\u016br\u0117jas. \u201eParrhesiades\u201c Lyton dirbo su tokiais menininkais kaip Johanna Hedva, P. Staff, Ana\u00efs Duplan, Sophia Al Maria ir Tai Shani. Jis pat yra vienas pirm\u0173j\u0173 OFFSHORE \u2013 klajojan\u010dios performans\u0173 kompanijos ir pedagogin\u0117s strukt\u016bros, 2017 m. inicijuotos Cally Spooner \u2013 dalyvi\u0173. OFFSHORE yra rink\u0119si Niujorko \u0160veicarijos institute, Leveno \u201eThe M Museum\u201c; Singap\u016bro \u201eCCA\u201c, Pary\u017eiaus Nacionaliniame \u0161okio centre, bei Londono \u201eSerpentine Galleries\u201c ir \u201eThe Whitechapel\u201c. 2019 m. Lyntonas kartu su Hana Noorali kuravo David Roberts Foundation parod\u0105 \u201eThe Season of Cartesian Weeping\u201c, tapusia dar viena kasme\u010di\u0173 bendr\u0173 kuravimo veikl\u0173 serijos dalimi, o 2021 m. j\u0173 knyg\u0105 Intertitles, an anthology at the intersection of writing and visual art publikavo leidykla \u201ePrototype Press\u201c. \u0160iuo metu vyksta 2 menininko parodos: \u201eThe Noon Sirens\u201c \u201eThe Amant Foundation\u201c, Niujorke, kaip dalis Quinn Latimer parodos \u201eSIREN (Some Poetics)\u201c ir \u201eInterpolacijos II\u201c Galerijoje \u201eProzori\u201c, Zagrebe.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201eRupert\u201c centre Lynton toliau tirs neoliberalizmo kaip politin\u0117s ideologijos i\u0161rai\u0161kas m\u016bs\u0173 kalboje. Rezident\u016bros metu jis ketina sukurti nauj\u0105 garsin\u012f k\u016brin\u012f ir tekst\u0105, prat\u0119siant\u012f jo tyrim\u0173 linij\u0105, ta\u010diau daugiau d\u0117mesio skirsiant\u012f triuk\u0161mo istorijai, \u0161iuolaikinei teorijai ir praktikai. Lynton domina kalbos savyb\u0117 prie\u0161intis rinkos siekiams pasisavinti m\u016bs\u0173 id\u0117jas ir socialum\u0105, tod\u0117l jis ketina i\u0161 prodiuserio perspektyvos nuodugniau i\u0161nagrin\u0117ti m\u016bs\u0173 santyk\u012f su eksperimentiniu garsu, klausdamas, ar triuk\u0161mas muzikoje yra tas pat, kas poezija kalboje arba triktis technologijoje.<\/span><\/p>\n<p>Vaizdas: <span style=\"font-weight: 400;\">Lynton Talbot asmeninis archyvas<\/span><br style=\"font-weight: 400;\" \/><br style=\"font-weight: 400;\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lynton Talbot (JK) yra \u201eParrhesiades\u201c \u2013 daugiaplatform\u0117s projektin\u0117s erdv\u0117s menininkams, dirbantiems su ra\u0161ytine, sakytine ar kitaip i\u0161reik\u0161ta kalba \u2013 \u012fk\u016br\u0117jas. \u201eParrhesiades\u201c Lyton dirbo su tokiais menininkais kaip Johanna Hedva, P. Staff, Ana\u00efs Duplan, Sophia&#8230; <a class=\"read-more\" href=\"https:\/\/rupert.lt\/lt\/lynton-talbot\/\">Daugiau<\/a><\/p>\n","protected":false},"author":15,"featured_media":19500,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[99,169],"tags":[],"class_list":["post-19499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezidentai","category-buvusieji-rezidentai"],"acf":[],"_links":{"self":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/19499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/comments?post=19499"}],"version-history":[{"count":1,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/19499\/revisions"}],"predecessor-version":[{"id":19502,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/19499\/revisions\/19502"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media\/19500"}],"wp:attachment":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media?parent=19499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/categories?post=19499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/tags?post=19499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}