Marissos Lee Benedict ir Davido Rueterio (JAV\/Olandija) bendrai kuriami \u012fvietinti vaizdo \u012fra\u0161ai, skulpt\u016bros ir pie\u0161iniai u\u017efiksuoja objektus ir dokumentuoja procesus, plytin\u010dius u\u017e periferinio matymo rib\u0173. Duetas, dirbantis su m\u016bs\u0173 ma\u017eai pastebimais architekt\u016bros ir infrastrukt\u016bros elementais, \u012f abstrak\u010dias, technologij\u0173 kuriamas erdves \u012fveda med\u017eiagi\u0161kum\u0105, bals\u0105, intymum\u0105, o kartais ir savo k\u016bnus.<\/p>\n
Benedict ir Rueterio darbai buvo eksponuoti 34-ojoje San Paulo bienal\u0117je, \u201eThe Renaissance Society\u201c \u010cikagos universitete, 2018 m. Venecijos architekt\u016bros bienal\u0117je JAV paviljone, \u010cikagos men\u0173 klube, \u0160iuolaikin\u0117s fotografijos muziejuje \u010cikagoje, Briuselio \u0161iuolaikinio meno muziejuje ir kt. Jie yra gav\u0119 dideli\u0173 stipendij\u0173 i\u0161 toki\u0173 institucij\u0173 kaip Grahamo fondas pa\u017eangiosioms dail\u0117s studijoms (JAV); Nacionalinis men\u0173 fondas (JAV), Joan Mitchell fondas (JAV).<\/p>\n
Meninink\u0173 darbai recenzuoti tokiuose leidiniuose, kaip \u201eArtforum\u201c, \u201eRevista\u201c, \u201eAgenda Magazine\u201c ir \u201eHyperallergic\u201c, o neseniai leidykla \u201eMousse Publishing\u201c i\u0161leido knyg\u0105 apie j\u0173 bendr\u0105 darb\u0105 su Danieliu de Paula (2018\u2013iki \u0161iol). Taip pat jie yra dalyvav\u0119 daugyb\u0117je tarptautini\u0173 meno rezidencij\u0173, \u012fskaitant Rupert, Banfo centr\u0105 ir Jano van Eycko akademij\u0105.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Marissos Lee Benedict ir Davido Rueterio (JAV\/Olandija) bendrai kuriami \u012fvietinti vaizdo \u012fra\u0161ai, skulpt\u016bros ir pie\u0161iniai u\u017efiksuoja objektus ir dokumentuoja procesus, plytin\u010dius u\u017e periferinio matymo rib\u0173. Duetas, dirbantis su m\u016bs\u0173 ma\u017eai pastebimais architekt\u016bros ir infrastrukt\u016bros… Daugiau<\/a><\/p>\n","protected":false},"author":15,"featured_media":21103,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[91],"tags":[],"class_list":["post-22252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-be-kategorijos"],"acf":[],"_links":{"self":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/22252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/comments?post=22252"}],"version-history":[{"count":1,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/22252\/revisions"}],"predecessor-version":[{"id":22253,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/22252\/revisions\/22253"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media\/21103"}],"wp:attachment":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media?parent=22252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/categories?post=22252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/tags?post=22252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}