{"id":25125,"date":"2023-11-09T13:22:02","date_gmt":"2023-11-09T11:22:02","guid":{"rendered":"https:\/\/rupert.lt\/?p=25125"},"modified":"2023-12-11T13:14:41","modified_gmt":"2023-12-11T11:14:41","slug":"asa-cederqvist-ir-janna-holmstedt","status":"publish","type":"post","link":"https:\/\/rupert.lt\/lt\/asa-cederqvist-ir-janna-holmstedt\/","title":{"rendered":"\u00c5sa Cederqvist ir Janna Holmstedt"},"content":{"rendered":"<p><a href=\"https:\/\/asacederqvist.com\/\"><span style=\"font-weight: 400;\">\u00c5sa&#8217;os Cederqvist<\/span><\/a><span style=\"font-weight: 400;\"> k\u016brybos pagrindas \u2013 performatyvumas. I\u0161rai\u0161kai ji renkasi videomen\u0105, skulpt\u016br\u0105, gars\u0105, neretai ir papildyt\u0105j\u0105 realyb\u0119 ar performatyvius pl\u0117tinius, o kartais visus \u0161iuos elementus sujungia. Savo darbais \u00c5sa skatina \u017emones \u017eengti \u012f k\u016brybos teritorij\u0105, kurioje susilieja stebuklai, groteskas ir humoras. Jos k\u016briniuose nagrin\u0117jama per krizes suaktyv\u0117jan\u010dios vaizduot\u0117s ir pa\u017eeid\u017eiamumo tema. \u00c5sa yra surengusi parod\u0173 ir pasirodym\u0173 visoje Skandinavijoje ir Europoje. Neseniai jos personalin\u0117s ekspozicijos pristatytos \u0160vedijoje: <\/span><a href=\"https:\/\/konstmuseet.eskilstuna.se\/besokswebbar\/eskilstuna-konstmuseum\/utstallningar\/asa-cederqvist\"><i><span style=\"font-weight: 400;\">To Excersice the\u00a0Uncertain<\/span><\/i><\/a><span style=\"font-weight: 400;\"> \u2013 Eskilstiunos meno muziejuje, o <\/span><a href=\"https:\/\/statesofbecoming.com\/\"><i><span style=\"font-weight: 400;\">States of Becoming<\/span><\/i><\/a><span style=\"font-weight: 400;\"> \u2013 Gustavsbergo kunsthal\u0117je. Meninink\u0117s filmai rodyti Kalbjergos kino festivalyje \u0160vedijoje, <a href=\"https:\/\/videograms.online\/\"><em>Videogramose<\/em><\/a> Kaune ir VAFT kino festivalyje Suomijoje. \u0160i\u0105 vasar\u0105 jos darbas <\/span><a href=\"https:\/\/vavdarum.se\/konstnarer\/asaCederqvist\"><i><span style=\"font-weight: 400;\">Giga-annum<\/span><\/i><\/a><span style=\"font-weight: 400;\"> buvo \u012ftrauktas \u012f did\u017eiausi\u0105 kada nors \u0160vedijoje surengt\u0105 parod\u0105 \u201eSuaustos erdv\u0117s\u201c (angl. <\/span><i><span style=\"font-weight: 400;\">Woven Spaces<\/span><\/i><span style=\"font-weight: 400;\">), prista\u010diusi\u0105 10 papildytosios realyb\u0117s darb\u0173 net 150-yje erdvi\u0173 visoje \u0160vedijoje. \u00c5sa yra baigusi magistrant\u016bros studijas Stokholmo Konstfack universitete ir doktorant\u016bros studijas Stokholmo Karali\u0161kajame meno institute.<\/span><\/p>\n<blockquote><p><i><span style=\"font-weight: 400;\">Turiu asmenin\u0117s perdegimo ir i\u0161sekimo patirties, kuri\u0105 matau kaip paralel\u0119 nuolatiniam m\u016bs\u0173 planetos naikinimui ir gri\u016bvan\u010dioms visuomen\u0117s strukt\u016broms. Kaip gal\u0117tume formuoti atsparum\u0105 ir kurti gijim\u0105 skatinan\u010dias situacijas? Juk mes ir esame gamta. Tirsiu laukini\u0173 moter\u0173, naujojo stebukli\u0161kumo ir laukin\u0117s gamtos s\u0105vokas, dom\u0117siuosi cikli\u0161kumu. Ketinu toliau tyrin\u0117ti, kaip susijungia erdvin\u0117 dramaturgija, ezoterin\u0117 praktika ir skaitmeniniai \u017emogaus pl\u0117tiniai.<\/span><\/i><\/p><\/blockquote>\n<p><a href=\"https:\/\/posthumanitieshub.net\/janna-holmstedt\/\"><span style=\"font-weight: 400;\">Janna&#8217;os Holmstedt<\/span><\/a><span style=\"font-weight: 400;\"> praktik\u0105 sudaro klausymosi sesijos, pasivaik\u0161\u010diojimai, performansai, tekstai, garsas, instaliacijos ir bendradarbiavimo projektai. Ji tyrin\u0117ja painius dalykus: bendravim\u0105 tarp biologini\u0173 r\u016b\u0161i\u0173, daugiau nei \u017emogi\u0161kus santykius, k\u016bn\u0173, aplinkos ir technologij\u0173 tarpusavio s\u0105veik\u0105. <\/span><a href=\"https:\/\/unlikely.net.au\/issue-07\/sonospheric-mappings\"><span style=\"font-weight: 400;\">Gilinantis \u012f \u0161ias temas<\/span><span style=\"font-weight: 400;\">, <\/span><\/a><span style=\"font-weight: 400;\">\u00a0svarbiais Jannos apm\u0105stym\u0173 kompanionais tapo delfinai, kukur\u016bzai ir p\u016bsl\u0117tasis guveinis. Meninink\u0117 yra \u0160vedijos Lundo universiteto vaizduojam\u0173j\u0173 men\u0173 daktar\u0117, <\/span><a href=\"https:\/\/posthumanitieshub.net\/\"><i><span style=\"font-weight: 400;\">The Posthumanities Hub<\/span><\/i><\/a><span style=\"font-weight: 400;\"> mokslin\u0117 bendradarb\u0117, viena i\u0161 kolektyvo<\/span> <a href=\"http:\/\/partofthebiomass.se\/\"><i><span style=\"font-weight: 400;\">(P)Art of the Biomass<\/span><\/i><\/a><span style=\"font-weight: 400;\"> \u012fk\u016br\u0117j\u0173 ir tarpdisciplininio tyrim\u0173 projekto <\/span><a href=\"http:\/\/humuseconomicus.se\/\"><i><span style=\"font-weight: 400;\">Humus economicus<\/span><\/i><\/a><span style=\"font-weight: 400;\"> iniciator\u0117. Pastaruoju metu savo darbuose Janna daugiausiai d\u0117mesio skiria dirvo\u017eemiui kaip terpei ir daugialyp\u0117s veiklos zonai. Jos moksliniai interesai apima \u012fvietinto klausymosi ir pasakojimo praktikas, r\u016bpestingumo ir d\u0117mesio aplinkai ugdym\u0105 bei kompozicijos s\u0105vok\u0105 i\u0161pl\u0117stiniame \u017eanrin\u0117ms kategorijoms nepakl\u016bstan\u010di\u0173 meno praktik\u0173 lauke.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/asacederqvist.com\/Holi-Biont\">Holi Biont<\/a> pasivadin\u0119s \u00c5sa\u2018os ir Janna\u2018os duetas, reziduodamas Vilniuje, dirbs prie bendro k\u016brinio, kuriame pagrindin\u012f vaidmen\u012f atlieka sliekas. Tyrin\u0117jimu gr\u012fstose atvirose Holi Biont sesijose \u017eaid\u017eiama ir eksperimentuojama su zoomorfin\u0117mis transformacijomis, ne\u012fprastais santykiais ir suvokimo b\u016bdais, kai technologiniai procesai susilieja su organiniais, k\u016bni\u0161kais ir \u017eemi\u0161kais dalykais. Holi Biont darbai sesijomis jau pristatyti Stokholmo erdv\u0117se <em>Fylkingen<\/em>, <em>F\u00e4rgfabriken<\/em> ir <em>Uniarts<\/em>, taip pat \u012ftraukti \u012f Janna&#8217;os es\u0117 <\/span><a href=\"https:\/\/unlikely.net.au\/issue-07\/sonospheric-mappings\"><i><span style=\"font-weight: 400;\">Follow the Blind, Mimic the Wind and Become a Worm<\/span><\/i><\/a><span style=\"font-weight: 400;\">, 2020 m. gruod\u012f publikuotoje leidinyje <\/span><i><span style=\"font-weight: 400;\">Unlikely Journal for Creative Arts<\/span><\/i><i><span style=\"font-weight: 400;\">.\u00a0<\/span><\/i><\/p>\n<h5>Images: <span style=\"font-weight: 400;\">(1) Holi Biont: <em>Work in progress<\/em>, 2023; (2) \u00c5sa Cederqvist, Frida-Li L\u00f6vgren nuotr.; (3) Janna Holmstedt, \u00c5sa Cederqvist nuotr.<\/span><\/h5>\n<p><em>Prie \u0161ios rezidencijos prisideda <a href=\"https:\/\/www.konstnarsnamnden.se\/om-konstnarsnamnden\/the-swedish-arts-grants-committee\/\">Swedish Arts Grants Committee<\/a>.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c5sa&#8217;os Cederqvist k\u016brybos pagrindas \u2013 performatyvumas. I\u0161rai\u0161kai ji renkasi videomen\u0105, skulpt\u016br\u0105, gars\u0105, neretai ir papildyt\u0105j\u0105 realyb\u0119 ar performatyvius pl\u0117tinius, o kartais visus \u0161iuos elementus sujungia. Savo darbais \u00c5sa skatina \u017emones \u017eengti \u012f k\u016brybos teritorij\u0105,&#8230; <a class=\"read-more\" href=\"https:\/\/rupert.lt\/lt\/asa-cederqvist-ir-janna-holmstedt\/\">Daugiau<\/a><\/p>\n","protected":false},"author":15,"featured_media":25092,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[99,169],"tags":[],"class_list":["post-25125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rezidentai","category-buvusieji-rezidentai"],"acf":[],"_links":{"self":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/25125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/comments?post=25125"}],"version-history":[{"count":4,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/25125\/revisions"}],"predecessor-version":[{"id":25199,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/posts\/25125\/revisions\/25199"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media\/25092"}],"wp:attachment":[{"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/media?parent=25125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/categories?post=25125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rupert.lt\/lt\/wp-json\/wp\/v2\/tags?post=25125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}